I'm a rambler... always have been and probably always will be... Give me a place to write something and I will most likely give in and do it. ;) I've been thinking a lot about this small press thing recently and why it's actually a good place to be a lot of the time. I'm sure a lot of people in the small press world have dreams of some day making it into a large publisher and are even saving some of their "A" ideas for said trip to the big leagues... I've heard stories of people not putting their best foot forward in writing, in art, etc, all because it's "small press". Now, I have to ask, why is that? If you consider every book circulating the world with your name on it as a printed resume, every PDF an electronic one, every web comic a posted job board, why would you NOT put your best out there? Ideas are a dime a dozen, it's what you do with them that matters. If you use your "A" game today, people are more likely to notice when they get their hands on the final product and ask you what's next.
With Faction, for example, it was never a "B" idea. I had other ideas I was focusing on primarily when I was mulling over whether or not to take part in Small Press Idol, but I would never label any of my ideas as second rate. Worst case, if I have an idea that just pops in my head, by the time a script gets in front of an artist, there has been so much behind the scenes brainstorming, world building, character development, etc, that I can answer just about any question someone throws at me.
Another problem with throwing second rate books out there is that it only helps to perpetuate the idea that small press is second rate entertainment. If you look at my music collection, you'll see everything from albums made in a garage to something overproduced to the point that it's almost comical. Comparison? DIY may mean you have limited means to get something done, but it doesn't mean what you put forward should have any less thought than something you're turning in for a submission to a big name or those dust covered scripts you won't share with anyone because you're waiting until you "make it" to show them to some hot shot editor. Forget it, get the good stuff out, save the second stringers for when you've had time to think more about them.
one thing I noticed with Small Press Idol this year is that a LOT of people took it very seriously.... Some may not have taken promotion seriously (I'll get back to that), but I could really tell people tried with their entries... Maybe a couple of exceptions, but that's always going to happen. I could argue that everyone passionately believed in their ideas and thought they were marketable to some degree... Some were most likely self-conscious, have self-defeatist attitudes, etc, but I think that always happens. Did the best projects make it to round 4? Did the best project win? I'd argue no. Don't take that the wrong way, I think 4 great projects made it to Round 4, but a combination of self-consciousness and lack of marketing skills caused some projects deserving of further development to flounder and fail in rounds 2 and 3, which is a bummer. I'm not knocking on my nor any other project in the competition, just commenting that a combination of self-confidence and marketing could have helped a few projects to become real contenders and take the prize. Could have been a real slugfest!
Now for my rant on marketing.... I've heard people all over the web comment about comic book sales, the economy, yadda yadda yadda.... Do I think that the economy is an issue? Absolutely... What it doesn't mean is that comic books fail because of the economy. Comic books fail because people don't try. Before you get angry with the comment and say something like, "I've been doing this for X years and this worked and that worked," remember... just because it worked yesterday, doesn't mean it will work today. We're in a world of cell phones, wireless computers, internet shopping, and short attention spans. If you can't grab someone's attention using those mediums, you're not going to get sales. Your target audience is out there for ANY book, no matter the quality (note comments above, you should not be putting out crap). The challenge, by definition, is not to market except to your demographic... find out who your demographic is (pre-teen video game junkies, ex-cons, or recovering RPGers for example), market to them, where they live and breathe online and on the stands... Then and only then will you get the sales you deserve... You could also use my approach... carpet bomb... Law of averages, if you cover everywhere, you're likely to hit some people! See where the hits are coming from and focus there, cultivate, and grow....
The most important thing I can't stress enough is no matter how good you may think your idea is.... no matter how good it may be... If YOU don't put yourself out there, let people see it, ask people to look at it, ask people to buy it, they're not going to magically discover it on their own and purchase it. That's self-defeatist. Do we want to go out and spend our time marketing a lot? Well... no (I don't mind so much) we want to create! But we also want food on the tables and if no one is buying our products, eventually the novelty is going to ware off, no?
Site statistics
-
Activity:
- Users online
- 1
- Hits today
- 462
-
Community:
- Members
- 2,612
- Joined today
- 3
- Joined this week
- 7
- Active today
- 11
- Active this week
- 27
- Topics
- 1,306
- Posts
- 14,555
- Posts today
- 3
-
Calendar:
- Events
- 5
- in the next week
- 1
- in the next month
- 4
-
Chat system:
- Chatters
- 0
- Chat messages
- 12,833
-
Galleries:
- Galleries
- 16
- Images
- 96
- Videos
- 0
-
News:
- Blogs
- 1

Comments
Kudos
In any contest there can be only one true winner. But what I think is even more interesting is where all the runner ups go from here. How we each capitalize on the hype that was generated by Dimestore, and the SPI.
Even another book of all ads would be nice…even if it was just a pdf…exposure is exposure…big or small…it all helps.
GJ
Erik-I have tried for some time now, to get a pdf ad zine going and offered FREE ads but nobody even wanted to do that.
GJ
At one time there was a comic company called Proletariat, who put out a quarterly prose/sequential zine that was not only quite well received but also very good. They ended up going belly up because the guy who ran it lost his house in a flood and had other priorities. At one point you could still get issues 1 and 2 through WOWIO but I don't know about that anymore. I think something of that nature, a mixture of stories, ads, reviews, OP/ED stuff, and the like could really appeal to a pretty broad audience if it got put out regularly, was of HIGH QUALITY (meaning the art and production doesn't suck!) and the word spread far enough. But then I'm a dreamer.
the last one WAS free to everyone, account or no...
GJ
Look, I can understand some people don't like previews, but a lot of people do... When it comes to ordering product, for stores or otherwise, unless you know the creative team already (past work), see a preview, or read stellar reviews, what's the likelihood you're going to buy the book? I mean you can always hope that people will look at the cover and maybe give it a shot, but then we're back to the short attention span... Cover could be great, just like a preview, but it doesn't mean the content overall is good. It's always the risk you're going to take, but I'd rather look at a preview than buy something based on a cover and have it turn out that the artist inside is different or something stupid like that.... In many instances I've seen covers done by the same team, but when you look inside, the art is lazy, the writing is horrible, etc... previews aren't perfect, but better than nothing. And, well, I thought I did ok with previews out there for my book. ;)
Man, that annoys the hell out of me, too…. Alex Ross covers and mediocre interiors… Jae Lee covers and blah interiors, etc…. I've had some books I've purchased based on what was said in previews and they're usually pretty good about who did the cover and who did the interior… sometimes misleading, too, because they could list multiple artists and the good one did layouts while some hack did the rest…
:ninja:
"Really evil. Like so evil, that you would say it was E-VEEL, like it's the FRU-ETS of the DEV-EEL. E-VEEL." - So I Married An Axe Murderer… If you didn't know that, you should be shot… or go rent it.
Oh, did I mention: SELF PUBLISHER! MAGAZINE?
Hmmmm...I do believe I've heard of that title somewhere...
GJ
You did. A couple of times. But does that magazine fit the bill we've been discussing here? I don't know. I've read a couple of issues of SP and it doesn't seem to. Not disparaging the mag at all because I like it perfectly fine, but first and foremost, what I'm proposing is an ezine. I think for one thing doing something of this nature is cost prohibitive if you're using a print model. Not to mention I don't know about anyone else, but I have access to WAY more email addresses than I do home addresses. Distribution would be fairly simple that way. If you had regular content, GOOD content, interesting stuff in other words, folks would respond to that.
Thing is doing it digitally has less overhead, but you could always print up a short run for whatever con you wanted to take it to. You can rock COLOR with the digital version, and depending on what size you chose to go with it wouldn't be that nasty cost wise on the POD for cons runs either.
Then.of course, we'd have to get a staff going for a new pdf publication...
GJ
Or you could convert the current publication to that format saving you the time and trouble of restaffing.
you'll get used to that, Bard, the Last.
Uh huh. :ninja: :ninja:
Well how would I know? Last issue of SP I saw was print and a while back. Since then there hasn't been much in the way of info.